{"id":2665,"date":"2018-01-21T16:42:05","date_gmt":"2018-01-21T20:42:05","guid":{"rendered":"http:\/\/www.maggyaston.com\/students\/?page_id=2665"},"modified":"2018-01-21T16:42:05","modified_gmt":"2018-01-21T20:42:05","slug":"bibliography-for-visual-research","status":"publish","type":"page","link":"https:\/\/www.maggyaston.com\/students\/advanced-drawing\/1489-2\/bibliography-for-visual-research\/","title":{"rendered":"Bibliography for Visual Research"},"content":{"rendered":"

\u00a0<\/strong><\/p>\n

Bibliography and Suggestions for Visual Research<\/strong><\/p>\n

Many of the slides shown in his course were taken from the following books. Some of these can be found in the Manderino library, and all can be obtained through inter-library loan. To purchase used books and textbooks, search for listings on Bookfinder.com<\/p>\n

Contemporary Art and Drawing<\/strong><\/p>\n

Vitamin D: New Perspectives in Drawing.<\/em> London: Phaidon Press, 2005<\/p>\n

Jordan Kantor. Drawing from the Modern.<\/em> New York: Museum of Modern Art, 2005<\/p>\n

Thomas and Jackson. On Paper: New Paper Art:<\/em> London: Crafts Council Gallery, 2001<\/p>\n

Catherine de Zegher and Cornelia Butler. On Line: Drawing Through the Twentieth Century<\/u><\/strong><\/a><\/em>. New York: Rizzoli, 2010<\/p>\n

Catherine De Zegher and Thelma Golden. Julie Mehretu: The Drawings<\/a> <\/em>New York: Rizzoli, 2007<\/p>\n

Posner, Helaine. Kiki Smith.<\/em> Boston: Bullfinch Press, 1998<\/p>\n

Kerry James Marshall.<\/em> New York: Abrams, 2000<\/p>\n

Schjeldahl, Peter. Eric Fischl.<\/em> New York: Stewart, Tabori & Chang, 1988<\/p>\n

Dennison, Lisa, et al, Ross Bleckner.<\/em> New York: Guggenheim, 1995<\/p>\n

Weissman, Benjamin. Darren Waterston. <\/em>Los Angeles: St Anne’s Press, 2001<\/p>\n

Linker, Kate. Love for Sale: The Words and Pictures of Barbara Kruger. <\/em>New York: Abrams, 1990<\/p>\n

Couma-Peterson, Thalia. Miriam Shapiro. <\/em>New York: Abrams, 2001<\/p>\n

Phillips, Lisa and Kertess Klaus. Terry Winters<\/em>. New York: Whitney Museum, 1992<\/p>\n

Schjeldahl, Peter and Phillips, Lisa. Cindy Sherman<\/em>. New York: Whitney Museum, 1987<\/p>\n

    \n
  1. Bourgeois and L. Rinder. Louise Bourgeois: Drawings and Observations<\/em><\/li>\n<\/ol>\n

    Temkin and Rose. Thinking is Form: The Drawings of Joseph Beuys.<\/em> New York: MOMA, 1993<\/p>\n

    Schnabel, Julien. C.V.J<\/em>. New York: Random House, 1987<\/p>\n

    Jean Michel Basquiat.<\/em> Tokyo: Art at Random, 1992<\/p>\n

    Rosenthal, Mark. Jonahan Borofsky. <\/em>New York: Whitney Museum of Art, 1985<\/p>\n

    Caldwell, John, et al. Sigmar Polke.<\/em> San Francisco: San Francisco Museum of Art, 1990<\/p>\n

    Kiefer, Anselm. A Book: Transition from Cool to Warm <\/em>Boston: Museum of Fine Arts, 1988<\/p>\n

    Gilmour, John. Fire on Earth: Anselm Kiefer and the Postmodern World<\/em>. Temple U. Press: Philadelphia, 1990<\/p>\n

    Clemente, Francesco. Evening Raga and Paradiso. New York, Rizzoli, 1992<\/em><\/p>\n

    de L’ecotais, Emmanuelleand Ware, Katherine. Man Ray: 1890-1976.<\/em> Koln: Taschen, 2000<\/p>\n

    Goldman, Judith. James Rosenquist<\/em>. Denver: Denver art Museum, 1985<\/p>\n

    Elderfield, John. The Drawings of Richard Deibenkorn<\/em>. New York: Houston Fine Arts Press, 1988<\/p>\n

    Hughes, Robert. Frank Auerbach.<\/em> London: Thames and Hudson, 1989<\/p>\n

    Corn, Wanda. The Art of Andrew Wyeth. <\/em>Greenwich, CT: New York Graphic Society, 1973<\/p>\n

    Gohr, Siegfried. Georg Baselitz: Prints.<\/em> Munich: Prestel-Verlag, 1984<\/p>\n

    Sigmar Polke. History of Everything: Paintings and Drawings.<\/em> New Haven: Yale University Press, 2004<\/p>\n

    Leiris, Michel. Francis Bacon.<\/em> New York: Rizzoli, 1983<\/p>\n

    Phyllis Plous. Terry Winters: Painting and Drawing<\/em>. Seattle: Univ. of Washington Press, 1987<\/p>\n

    Saar, Betye. Extending the Frozen Moment.<\/em> Ann Arbor, University of Michigan Museum of Art, 2006<\/p>\n

    \u00a0<\/strong><\/p>\n

    Figure Drawing<\/strong><\/p>\n

    The Notebooks of Leonardo Da Vinci. <\/em> New York: Dover Publications, <\/em>1970<\/p>\n

    O’Malley and Saunders. Leonardo Da Vinci on the Human Body: The Anatomical, Physiological, and Embryological Drawings. <\/em>New York: Wings Books, 1982<\/p>\n

    Strauss, Walter. The Comlpete Drawings of Albrecht Durer.<\/em> (6 Volumes)New York: Abaris Books, 1974<\/p>\n

    Albrecht Durer: the Human Figure. The Complete Dresden Sketchbook.<\/em> New York: Dover, 1927<\/p>\n

    Ames-Lewis, Francis. The Draftsman Raphael. <\/em>New Haven: Yale University Press, 1986<\/p>\n

    Berenson, Bernard. The Drawings of the Florentine Painters. <\/em>Chicago: U. of Chicago Press, 1970<\/p>\n

    Hale, Robert Beverly. Drawing Lessons from the Great Masters.<\/em> New York: Watson-Guptill, 1965<\/p>\n

    Tietze, Hans& Erica. The Drawings of the Venetian Painters in the 15th and 16th Centuries. <\/em>NY: J. Augustin, 1970<\/p>\n

    Rosenberg, Jakob. Great Draughtsmen from Pisanello to Picasso<\/em>, Cambridge: Harvard U. Press, 1959<\/p>\n

    Berenson, Bernard. The Drawings of the Florentine Painters. <\/em>Chicago: Univ. of Chicago Press, 1970<\/p>\n

    Marks, Claude. From the Sketchbooks of the Great Artists<\/em>. New York: Thomas Crowell Co., 1972<\/p>\n

    Moskowitz, Ira. Great Drawings of All Time. <\/em>New York: Shorewood Publishers, 1962<\/p>\n

    Scheidig, Walther. Rembrandt’s Drawings.<\/em> Boston: Boston Book and Art Shop, Inc.<\/p>\n

    Adhemar and Cachin. Degas: The Complete Etchings, Lithographs, and Monotypes.<\/em> Secaucus, NJ: Chartwell, 1974<\/p>\n

    Olszewski, Edward. The Draftsman’s Eye:Late Renaissance Schools and Styles<\/em>.Cleveland Museum of Art, “81<\/p>\n

    Lampert, Catherine. Rodin: Drawings and Sculpture. <\/em>Arts Council of Great Britain, 1986<\/p>\n

    Odilon Redon<\/em>. Memphis: Dixon Gallery and Gardens, 1990<\/p>\n

    Kahn, Gustave. The Drawings of Georges Seurat.<\/em> New York: Dover, 1971<\/p>\n

    Johnson, Una. 20th Century Drawings: 1900 to the Present.<\/em> New York: Bonanza Books, 1964<\/p>\n

    Sayre, Eleanor. The Changing Image: Prints by Francisco Goya.<\/em> Boston: Museum of Fine Arts, 1974<\/p>\n

    Segy, Ladislas. African Sculpture.<\/em> New York: Dover, 1958<\/p>\n

    Muybridge, Eadweard. The Human Figure in Motion.<\/em> New York: Dover Publications, <\/em>1955<\/p>\n

    Muybridge, Eadweard. Animals in Motion.<\/em> New York: Dover Publications, <\/em>1955<\/p>\n

    The Human Figure in Early Greek Art Greek:<\/em> Greek Ministry of Culture\/National Gallery, Washington, DC, 1987<\/p>\n

    Zigrosser, Carl. Kathe Kollwitz.<\/em> New York: Bittner and Company, 1946<\/p>\n

    Kahn, Gustave. The Drawings of Georges Seurat.<\/em> New York: Dover,1971<\/p>\n

    \u00a0<\/strong><\/p>\n

    Drawing Instruction<\/strong><\/p>\n

    Elkins, James. Why Art Cannot Be Taught: A Handbook for Art Students.<\/em> Chicago: U. of Illinois, 2001<\/p>\n

    Goldfinger, Eliot. Human Anatomy for Artists: the Elements of Form. <\/em>New York: Oxford University Press, 1991<\/p>\n

    Beck, James. Leonardo’s Rules of Painting. <\/em>New York: The Viking Press, 1979<\/p>\n

    Betti and Sale, 4th Ed. Drawing: A Contemporary Approach.<\/em> Harcourt and Brace<\/p>\n

    Ruskin, John. The Elements of Drawing.<\/em> New York: Dover Publications, <\/em>1971<\/p>\n

    Brown and McLean, Drawing fom Life.<\/em> Thomson \/WadsworthBelmont, CA, 2004<\/p>\n

    Goldstein, Nathan. Figure Drawing: The Structure, Anatomy, and Expressive Design of Human Form. <\/em>Upper Saddle River, NJ, Prentice-Hall, 1999<\/p>\n

    Betti and Sale, 4th Ed. Drawing: A Contemporary Approach.<\/em> Harcourt and Brace<\/p>\n

    Simmons and Weiner. Drawing: The Creative Process.<\/em> Englewood Cliffs, NJ: Prentice-Hall, 1977<\/p>\n

    Art Theory and History<\/strong><\/p>\n

    Barkhatova, Elena. Russian Constructivist Posters. <\/em> Paris: Flammarion, 1992<\/em><\/p>\n

    Chipp, Herschel B., ed. Theories of Modern Art. <\/em>Berkeley, University of California Press, 1998<\/p>\n

    Clark, Kenneth. The Nude: A Study in Ideal Form. <\/em>New York: Pantheon, 1953<\/p>\n

    Crary, Jonathan and Ferer, Michel, ed. Fragments for a History of the Human Body, 3 Vol<\/em>. New York: Zone, 1989<\/p>\n

    Fineberg, Jonathan. Art Since 1940: Stategies of Being. <\/em>Upper Saddle River, NJ, 1995<\/p>\n

    Goldwater, Robert, ed. Artists on Art from the 15th to 20th Century<\/em>. New York, Pantheon Books, 1964<\/p>\n

    Gombrich, E. H. Art and Illusion,<\/em> Princeton:N.J.:Princeton University Press, 1969<\/p>\n

    Haslam, Malcolm. The Real World of the Surrealists. <\/em>New York: Galley Press, 1978<\/p>\n

    Harrison and Wood. Art in Theory: 1900-1990.<\/em> Cambridge: Blackwell, Blackwell, 1992<\/p>\n

    Hofstadter, Albert, ed. Philosophies of Art and Beauty: Selected Readings in Aesthetics from Plato to Heidegger. <\/em>NY: Modern Library, 1964<\/p>\n

    Kristeva, Julia. Powers of Horror: An Essay on Abjection.<\/em> Columbia University Press, New York, 1982<\/p>\n

    Pack, Susan, Film Posters of the Russian Avant-Garde.<\/em> New York: Taschen, 1995<\/p>\n

    Nietzsche, Friedrich. The Birth of Tragedy. <\/em>New York: Dover Editions, 2006<\/p>\n

    Schaffner, Ingrid. Salvidor Dali’s Dream of Venus: The Surrealist Funhouse.<\/em> NY: Princeton Architectural Press, 2002<\/p>\n

    \u00a0<\/em><\/p>\n

    Art and Culture, Art and Feminism <\/strong><\/p>\n

    Reckitt, Helena, Ed. Art and Feminism, <\/em>New York, Phaidon Press, 2006<\/p>\n

    Carol Armstrong, and Catherine de Zegher. Border Crossings:<\/em> Women Artists at the Millennium<\/em>. Cambridge, MIT Press: 2006<\/p>\n

    Broude, Norma. The Power of Feminist Art.<\/em> New York: Abrams, 1976<\/p>\n

    Catherine de Zegher<\/a>. Inside the Visible<\/a>:<\/em> An Elliptical Traverse of 20th Century Art in, of, and From the Feminine<\/em>, Cambridge: MIT Press, 1996<\/p>\n

    Lucie-Smith, Edward. Race, Sex and Gender in Contemporary Art.<\/em> New York: Abrams, 1994<\/p>\n

    Paglia, Camille. Sex, Art, and American Culture: Essays.<\/em> N.Y.:Vintage, 1992<\/p>\n

    Guerrilla Girls. The Guerrilla Girls’ Bedside Companion to the History of Western Art. <\/em>London: Penguin Books, 1998<\/p>\n

    Guerrilla Girls. Bitches, Bimbos, and Ballbreakers: The Guerrilla Girls’ Illustrated Guide to Female Stereotypes. <\/em>London: Penguin Books, 2003<\/p>\n

    Guerrilla Girls. Confessions of the Guerrilla Girls. How a Bunch of Masked Avengers Fight Sexism and Racism in the Art World with Facts, Humor and Fake Fur<\/em>. New York City: HarperCollins, 1995.<\/p>\n

    See link to complete Guerrilla Girl bibliography<\/p>\n

    http:\/\/womhist.alexanderstreet.com\/ggirls\/biblio.htm.<\/p>\n

    Saunders, Gill. The Nude: A New Perspective<\/em>. New York: Harper and Row, 1989<\/p>\n

    Norris and Benjamin, What is Deconstruction? <\/em>New York: St. Martin’s, 1988<\/p>\n

    Appignanesi and Garratt. Introducing Postmodernism.<\/em> N.Y: Totem, 1977<\/p>\n

    Goffman, Erving. Gender Advertisements. New York: Harper and Row, 1979<\/p>\n

    Berger, John. Ways of Seeing. <\/em>London: British Brouadcasting Corporation, 1977<\/p>\n

    Dissanayake, Ellen. Homo Aestheticus.<\/em> N.Y.: Free Press, 1992<\/p>\n

    Gablick, Suzi. Has Modernism Failed? <\/em>New York: Thames and Hudson, 1984<\/p>\n

    Hauser, Arnold. The Social History of Art.<\/em> N. Y. Vintage, 1951<\/p>\n

    Varnedoe and Gopnik. High and Low. Modern Art and Popular Culture. <\/em>New York: Abrams, 199<\/p>\n

    \u00a0<\/strong><\/p>\n

    Art and Nature, Art and Ecology<\/strong><\/p>\n

    Grande, John K. Art Nature Dialogues: Interviews with Environmental Artists<\/em>, New York: S.U.N.Y Press, 2004<\/p>\n

    Baker, Steve, The Postmodern Animal<\/em>, London: Reaktion Books, 2000<\/p>\n

    Clark-Langager, S. and Deitrich, M. Critical Messages: Contemporary Northwest Artists on the Environment, <\/em>Bellingham and Salem: Western Gallery and Halle Ford Museum of Art, 2010<\/p>\n

    Matilsky, Barbara. Fragile Ecologies: Contemporary Artists’ Interpretations and Solutions.<\/em> New York: Rizzoli, 1992<\/p>\n

    Gablick, Suzi. Conversations Before the End of Time, New<\/em> York: Thames and Hudson, 1995<\/p>\n

    Smith Stephie; Beyond Green: Toward a Sustainable Art.<\/em> Chicago and New York: Smart Museum of art and Universty of Chicago, 1992<\/p>\n

    Avigikos, Jan. Green Piece<\/em>. Artforum (April 1991):105-110<\/p>\n

    Boettger, Susan. Global Warmings.<\/em> Art in America (June\/July 2008): 154-161, 206-207<\/p>\n

    Brookner, Jackie. Ed. Art and Ecology.<\/em> Art Journal 51, no. 2 (Summer 1992)<\/p>\n

    Cembalest, Robin. The Ecological Art Explosion. ARTnews (Summer 1991): 97-105<\/p>\n

    Cembalest, Robin. Turning Up the Heat. ARTnews (June 2008): 102-115<\/p>\n

    Livingston, Ira. Sustainability and Apocalypticism. PRATTfolio (NewYork: Pratt Institute of Art), Spring 2008: 46-47<\/p>\n

    Wolff, Rachel. Turning Over a New Leaf. ARTnews (April 2009): 88-95.<\/p>\n

    Markonish, Denise, ed. Badlands: New Horizons in Landscape.<\/em> North Adams, MA: MASS MoCA. 2009<\/p>\n

    Andrews, Malcolm. Landscape and Western Art.<\/em> New York: Oxford University Press, 1999<\/p>\n

    Morris, Robert, Earthworks: Land Reclamation as Sculpture.<\/em> Seattle: Seattle Art Museum:1979<\/p>\n

    Penault, Madeleine, The Painter as Naturalist: from Durer to Redoute,<\/em> Paris: Flammarion, 1991<\/p>\n

    Diana Donald and Jane Munro. Endless Forms: Charles Darwin and the Visual Arts.<\/em> New Haven: Yale University Press, 2009<\/p>\n

    Carol Armstrong and Catherine de Zegher. Ocean Flowers: Impressions from Nature<\/u><\/a><\/em>: Princeton: Princeton University Press, 2004<\/p>\n

    Lippincott, and Bluhm. Fierce Friends: Artists and Animals, 1750-1900.<\/em> Pittsburgh: Carnegie Museum, 2006.<\/p>\n

    Clark, Kenneth. Animals and Men.<\/em> New York: Wm. Morrow and Co., 1977.<\/p>\n

    Blossfeldt, Karl. Art Forms in the Plant World.<\/em> New York: Dover\u00a0Publications, 1985.<\/p>\n

    Dance, S. Peter. The Art of Natural History.<\/em> New York, Arch Cape Press, 1990<\/p>\n

    Haeckel, Ernst. Art Forms from the Ocean. <\/em>New York: Prestel Verlag,\u00a02005.<\/p>\n

    —————–. Art Forms in Nature.<\/em> New York: Dover Publications, 1974.<\/p>\n

    Lack, H. Walter. Masterpieces of Botanical Illustration: Garden of Eden.\u00a0 <\/em>New York: Taschen, 2001.<\/p>\n

    Ormond, Richard. Sir Edwin Landseer<\/em>. London: The Tate Gallery, 1981<\/p>\n

    Cook, Theodore. The Curves of Life: Being an Account of Spiral Formations and their Application to Growth in Nature, Science, and Art. <\/em>New York: Dover, 1979<\/p>\n

    \u00a0<\/strong><\/p>\n

    Art, Science, and Technology<\/strong><\/p>\n

    Robin, Harry. The Scientific Image: from Cave to Computor.<\/em> New York: Abrams, 1992<\/p>\n

    Kemp, Martin and Wallace Marina, Spectacular Bodies: The Art and Science of the Human Body<\/em><\/p>\n

    from Leonardo to Now.<\/em> Berkeley: U. of Cal. Press, 2000<\/p>\n

    Kemp, Martin. The Science of Art. <\/em>New Haven, Conn.: Yale University Press, 1992<\/p>\n

    Schlain, Leonard. Art and Physics. <\/em>New York: Morrow, 1991.<\/p>\n

    Rifkin and Ackerman. Human Anatomy (from the Renaissance to the Digital Age).<\/em> New York: Abrams, 2006<\/p>\n

    Hale, Nathan Cabot. Abstraction in Art and Nature.<\/em> New York: Watson-Guptill, 1980<\/p>\n

    Doczi, Gyorgy. The Power of Limits: Proportional Harmonies in Nature, Art, and Architecture. <\/em>Boulder and London: Shambala, 1981<\/p>\n

    Mandelbrot, Benoit. The Fractal Geometry of Nature. <\/em>New York: Freeman and Co., 1977<\/p>\n

    Hildebrandt and Tromba. Mathematics and Optimal Form.<\/em> New York: Scientific American, 1984<\/p>\n

    Schwenk, Theodor. Sensitive Chaos: the Creation of Flowing Forms in Water and Air. <\/em>London: Steiner Pr., 1965<\/p>\n

    D’Arcy Thompson. On Growth and Form.<\/em> London: Cambridge University Press<\/p>\n

    Augarten, Stan. State of the Art: A Photographic History of the Integrated Circuit. <\/em>NY: Ticknor & Fields, 1983<\/p>\n

    Twentieth Century Engineering. <\/em>New York: Museum of Modern Art, 1964<\/p>\n

    Rappaport\/Stayton. Vital Forms: American Art and Design in the Atomic Age, 1940-1960.<\/em> NY: Abrams, 2001<\/p>\n

    Lucic, Karen, Charles Scheeler and the Cult of the Machine,<\/em> London: Reaktion Books, 2000<\/p>\n

    History of Symbols, Iconography, Mythology<\/strong><\/p>\n

    Jung, Carl. Man and His Symbols. New York: Doubleday, 1971<\/p>\n

    Campbell, Joseph. The Mythic Image.<\/em> Princeton: Princeton University Press, 1974<\/p>\n

    Historical Atlas of World Mythology<\/em>. New York: Harper and Row, 1988<\/p>\n

    The Power of Myth. <\/em>New York: Doubleday, 1988<\/p>\n

    Grabar, Oleg. The Mediation of Ornament.<\/em> Princeton: Bollingen Series, U.of Princeton Press, 1989<\/p>\n

    Leidy and Thurman. Mandala: the Architecture of Enlightenment.<\/em> Boston: Shambala, 1998<\/p>\n

    Hall, James Dictionary of Subjects and Symbols in Art<\/em><\/p>\n

    Cormac, Robin, Painting the Soul: Icons, Death Masks and Shrouds<\/em>, London: Reaktion Books, 1997<\/p>\n

    Fabricus, Johannes. Alchemy: The Medieval Alchemists and their Royal Art, <\/em>London: Diamond Books, 1989<\/p>\n

    Titles from Thames and Hudson Art and Imagination Series. (40<\/em> illustrated books with many wonderful pictures!)<\/p>\n

    \u00a0<\/em><\/p>\n

    Design and Ornament<\/strong><\/p>\n

    Jones, Owen. The Grammar of Ornament.<\/em> New York: Portland House, 1986<\/p>\n

    Lehner, Ernst. Signs, Symbols and Signets.<\/em> New York: Dover, 1950<\/p>\n

    Speltz, Alexander. Styles of Ornament.<\/em> New York: Grosset and Dunlap<\/p>\n

    Thornton, Peter. Form and Decoration: Innovation in the Arts: 1470-1870,<\/em> New York: Abrams, 1998<\/p>\n

    Zaczek, Iain. Essential William Morris<\/em> Bath, England: Dempsey Parr, 1999<\/p>\n

    Itten, Johannes, Design and Form: The Basis Course at the Bauhaus and Later.<\/em> New York: Van Nostrand, 1975<\/p>\n","protected":false},"excerpt":{"rendered":"

    \u00a0 Bibliography and Suggestions for Visual Research Many of the slides shown in his course were taken from the following books. Some of these can be found in the Manderino library, and all can be obtained through inter-library loan. To purchase used books and textbooks, search for listings on Bookfinder.com Contemporary Art and Drawing Vitamin […]<\/p>\n","protected":false},"author":4,"featured_media":0,"parent":1489,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"class_list":["post-2665","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.maggyaston.com\/students\/wp-json\/wp\/v2\/pages\/2665","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.maggyaston.com\/students\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.maggyaston.com\/students\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.maggyaston.com\/students\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.maggyaston.com\/students\/wp-json\/wp\/v2\/comments?post=2665"}],"version-history":[{"count":1,"href":"https:\/\/www.maggyaston.com\/students\/wp-json\/wp\/v2\/pages\/2665\/revisions"}],"predecessor-version":[{"id":2666,"href":"https:\/\/www.maggyaston.com\/students\/wp-json\/wp\/v2\/pages\/2665\/revisions\/2666"}],"up":[{"embeddable":true,"href":"https:\/\/www.maggyaston.com\/students\/wp-json\/wp\/v2\/pages\/1489"}],"wp:attachment":[{"href":"https:\/\/www.maggyaston.com\/students\/wp-json\/wp\/v2\/media?parent=2665"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}